Memoria functions as a filmic equivalent, contemplating as it does the passage of time, and the artefacts that survive us all.PO Box, Afghanistan, Africa, American Samoa, Anguilla, Antigua and Barbuda, Armenia, Aruba, Azerbaijan Republic, Bahrain, Bangladesh, Barbados, Belize, Bhutan, Bolivia, British Virgin Islands, Brunei Darussalam, Cambodia, Cayman Islands, Chile, Cook Islands, Costa Rica, Dominica, Dominican Republic, Ecuador, El Salvador, Falkland Islands (Islas Malvinas), Fiji, French Guiana, French Polynesia, Georgia, Grenada, Guadeloupe, Guam, Guatemala, Guyana, Haiti, Honduras, Iraq, Israel, Jamaica, Jordan, Kazakhstan, Kiribati, Kuwait, Kyrgyzstan, Laos, Lebanon, Macau, Maldives, Marshall Islands, Martinique, Micronesia, Mongolia, Montserrat, Nauru, Nepal, Netherlands Antilles, New Caledonia, Nicaragua, Niue, Oman, Pakistan, Palau, Panama, Papua New Guinea, Paraguay, Peru, Puerto Rico, Qatar, Russian Federation, Saint Kitts-Nevis, Saint Lucia, Saint Vincent and the Grenadines, Saudi Arabia, Solomon Islands, Sri Lanka, Suriname, Tajikistan, Thailand, Tonga, Trinidad and Tobago, Turkmenistan, Turks and Caicos Islands, Tuvalu, Ukraine, United Arab Emirates, Uzbekistan, Vanuatu, Venezuela, Vietnam, Virgin Islands (U.S. Mary Queen of Scots, for example, had a watch in the shape of a skull with an engraving reading: ”Pale death knocks with the same tempo upon the huts of the poor and the towers of Kings.” Throughout art history, wealthy patrons have commissioned memento mori, beautiful pieces of art that remind the beholder of their inevitable eventual death. ![]() But sound design is not ultimately what the film is about, in its bones: the themes are time, death and and intergenerational memory. With Tilda Swinton, Agnes Brekke, Daniel Giménez Cacho, Jerónimo Barón. The noise itself, which we experience alongside her, but nobody else can hear, is a masterpiece of sound design, a kind of deep metallic whomph best experienced in a good cinema whenever the film is eventually released it would be a bit of a shame, and I think destroy one key scene altogether, to attempt this one on the majority of home set-ups. Memoria: Directed by Apichatpong Weerasethakul. The plot concerns Tilda Swinton’s British botanist Jessica, visiting her sister in Colombia, who has been hearing a peculiar, inexplicable noise lately and would like to figure out what it is. ![]() It’s the kind of cinema that leaves a lot of space for you, the viewer, and whatever it is that you’re bringing to the table, so it’s probably best approached by those in comfortable dialogue with their own thoughts. I’m not sure who has changed more, me or Weerasethakul (I suspect it’s me), but I connected with Memoria. ![]() I have to confess that his work used not to be for me, that I greeted several of his films with a shrug and was outright driven up the wall by Palme d’Or winner Uncle Boonmee Who Can Recall His Past Lives. Official Trailer From the extraordinary mind of Palme D'or winning director Apichatpong Weerasethakul, and starring Academy Award winner Tilda Swinton, comes a bewildering drama about a Scottish woman, who, after hearing a loud 'bang' at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. ![]() Apichatpong Weerasethakul’s work is a cinema of patience and profundity, of image-making that seeps into the soul and stays there.
0 Comments
Leave a Reply. |